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Designed by Giuseppe Salerno, Notes is a hand drawn and script font family. This typeface has four styles and was published by Resistenza.es . Notes Notes Download Now View Gallery

Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Afterword JNL At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with. The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL , which is available in both regular and oblique versions. Afterword JNL Download Now View Gallery

Designed by Volker Schnebel, Bartosh is a sans serif font family. This typeface has twelve styles and was published by JPFonts . Bartosh Bartosh is the American short form for Bartholomew. Although I chose this font name because of its sound and its short conciseness, I also liked the fact that Bartholomew had been one of the 12 apostles who had worked in India and Iran and the idea that his spirit could be the inspiration for my work. Bartosh was designed for display on the screen: the large x-height and the clear, open shapes facilitate readability. As a result, it develops a strong expression of character and makes it ideal for headings or highlighting individual text passages – it is ideal for captions of any kind. In each of the six weights, it unfolds its own and special charm. The extra-bold version is particularly noteworthy because fonts in this stroke width are rare and it is precisely these extreme bolds that give them a special graphic appeal. For all fonts ther

Designed by Giuseppe Salerno, Notes is a hand drawn and script font family. This typeface has four styles and was published by Resistenza.es . Notes Notes Download Now View Gallery

Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Afterword JNL At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with. The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL , which is available in both regular and oblique versions. Afterword JNL Download Now View Gallery

Designed by Volker Schnebel, Bartosh is a sans serif font family. This typeface has twelve styles and was published by JPFonts . Bartosh Bartosh is the American short form for Bartholomew. Although I chose this font name because of its sound and its short conciseness, I also liked the fact that Bartholomew had been one of the 12 apostles who had worked in India and Iran and the idea that his spirit could be the inspiration for my work. Bartosh was designed for display on the screen: the large x-height and the clear, open shapes facilitate readability. As a result, it develops a strong expression of character and makes it ideal for headings or highlighting individual text passages – it is ideal for captions of any kind. In each of the six weights, it unfolds its own and special charm. The extra-bold version is particularly noteworthy because fonts in this stroke width are rare and it is precisely these extreme bolds that give them a special graphic appeal. For all fonts ther

Designed by Giuseppe Salerno, Notes is a hand drawn and script font family. This typeface has four styles and was published by Resistenza.es . Notes Notes Download Now View Gallery

Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Afterword JNL At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with. The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL , which is available in both regular and oblique versions. Afterword JNL Download Now View Gallery

Designed by Volker Schnebel, Bartosh is a sans serif font family. This typeface has twelve styles and was published by JPFonts . Bartosh Bartosh is the American short form for Bartholomew. Although I chose this font name because of its sound and its short conciseness, I also liked the fact that Bartholomew had been one of the 12 apostles who had worked in India and Iran and the idea that his spirit could be the inspiration for my work. Bartosh was designed for display on the screen: the large x-height and the clear, open shapes facilitate readability. As a result, it develops a strong expression of character and makes it ideal for headings or highlighting individual text passages – it is ideal for captions of any kind. In each of the six weights, it unfolds its own and special charm. The extra-bold version is particularly noteworthy because fonts in this stroke width are rare and it is precisely these extreme bolds that give them a special graphic appeal. For all fonts ther

Designed by Giuseppe Salerno, Notes is a hand drawn and script font family. This typeface has four styles and was published by Resistenza.es . Notes Notes Download Now View Gallery

Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Afterword JNL At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with. The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL , which is available in both regular and oblique versions. Afterword JNL Download Now View Gallery

Designed by Volker Schnebel, Bartosh is a sans serif font family. This typeface has twelve styles and was published by JPFonts . Bartosh Bartosh is the American short form for Bartholomew. Although I chose this font name because of its sound and its short conciseness, I also liked the fact that Bartholomew had been one of the 12 apostles who had worked in India and Iran and the idea that his spirit could be the inspiration for my work. Bartosh was designed for display on the screen: the large x-height and the clear, open shapes facilitate readability. As a result, it develops a strong expression of character and makes it ideal for headings or highlighting individual text passages – it is ideal for captions of any kind. In each of the six weights, it unfolds its own and special charm. The extra-bold version is particularly noteworthy because fonts in this stroke width are rare and it is precisely these extreme bolds that give them a special graphic appeal. For all fonts ther

Designed by Volker Schnebel, Bartosh is a sans serif font family. This typeface has twelve styles and was published by JPFonts . Bartosh Bartosh is the American short form for Bartholomew. Although I chose this font name because of its sound and its short conciseness, I also liked the fact that Bartholomew had been one of the 12 apostles who had worked in India and Iran and the idea that his spirit could be the inspiration for my work. Bartosh was designed for display on the screen: the large x-height and the clear, open shapes facilitate readability. As a result, it develops a strong expression of character and makes it ideal for headings or highlighting individual text passages – it is ideal for captions of any kind. In each of the six weights, it unfolds its own and special charm. The extra-bold version is particularly noteworthy because fonts in this stroke width are rare and it is precisely these extreme bolds that give them a special graphic appeal. For all fonts ther